Glare on the glass globes can obscure the filaments when photographing light bulbs. This first photo shows the effects of overhead lights reflecting on the bulb. (LO refers to Left Outside taillight bulb.) (Click on image to enlarge, then click on back arrow to return.)Bulb reflecting overhead lights. (ZEISS Milvus 100mm Macro lens on Nikon D850.)Below is the setup that was used to create that photo.Setup for bulb with reflections on globe. (ZEISS Otus 55mm f/1.4 lens on Nikon D850.)The bulb was held in place with a Wimberley The Plamp II, and the camera was locked down on a studio camera stand. The white cabinet door was used as the background. Note that the flash was not used.
All the glare from the overhead lights was eliminated by placing a translucent umbrella on a small light stand above the bulb. That umbrella was lowered and moved around until all of the glare from the overhead lights was gone. Here’s what the setup looked like with that simple change.Setup for photographing bulb with no reflections on globe. (ZEISS Milvus 35mm f/1.4 lens on Nikon D850.)As you can see below, the resulting photograph had no glare, and clearly showed the filaments and the posts.Taillight bulb with no reflections on globe under translucent umbrella. (ZEISS Milvus 100mm Macro lens on Nikon D850.)Translucent umbrellas have the advantages of being inexpensive (well, except for this one by Profoto), lightweight, and compact. So this setup can be used anywhere outdoors or indoors, with a tripod replacing the studio stand. When using outdoors, typically you’ll just have one source of glare from the sun. Many times, you’ll be able to just prop the umbrella on the vehicle or ground without needing a light stand or some other holder. If it’s dark or shaded, you might need supplemental lighting (flash, LED, or other light sources). These can be fired through the translucent umbrella to prevent glare from them. That will be the subject of a future post.
